Before Lockets, There Were Hidden Renaissance Portraits
Hidden Faces: Covered Portraits of the Renaissance explores the paintings concealed behind mirrors, in folded diptychs, and on the backs of other works.
Mindfully Curated
Hidden Faces: Covered Portraits of the Renaissance explores the paintings concealed behind mirrors, in folded diptychs, and on the backs of other works.
In the Luigi Zuccheri’s pastoral scenes, a menagerie of oversized creatures, plants, fruits, and vegetables dwarf the humans with whom they share the canvas.
Artist Cao Fei asks us to consider how long the benefits of new technologies may last, and what will remain after they’re gone.
In Ruppert’s work, vices surround, engulf, and even penetrate her human protagonists.
Despite a lack of investment in the region’s cultural practices, artisans are looking for ways to make local craft economically sustainable for their communities.
This week, Eid in Gaza, Arizona’s draconian anti-abortion law, a TikTok critic’s honest review of the eclipse, trolling Eric Adams, postmodern Bob Ross, and more.
Shana Moulton’s female protagonist in Meta/Physical Therapy is charmingly overwhelmed by the small mundanities of contemporary life.
The artist unveils the frenzied, emotional underpinnings of consumption, transforming collective angst into her own creative product.
“I arrive at the studio in the morning and play a perreo song by Karol G, Ivy Queen, or Tokischa; I dance; that is my meditation.”
The artist explained that the sculptures in Seed “transform the nature of a hectic and scary city, in a sense, to a place that’s really safe.”
Americans in Paris at the Grey Art Museum highlights the vibrancy and openness of the Paris scene for Americans.
Lesly Pierre Paul’s New Vision Art School turns to the arts as a way to continue local traditions and keep the neighborhood’s children out of gangs.
A cacophony of life, death, and perfume ads, transmitted across the same frequency, VanDerBeek’s fax collages captures an “international picture language.”
Katherine Behar’s automated office machines simply pantomime labor, just like many bored office workers after they’ve fulfilled their daily email quota.
The artist’s solo show is a lyrical investigation into the ways that textiles shaped the country during the 13th and 14th centuries.
More than 100 venues across the state will take part in the inaugural Garden State Art Weekend.
Ubiquitous imagery of aggressive, hypermasculine deities across India is a chilling tool of the Hindu right’s anti-Muslim rhetoric.
Artists of the silheom misul movement in the 1960s and ‘70s wrestled with an increasingly globalizing, industrializing, and politically censorious Korean art world.
With Sonia Delaunay: Living Art, we get to glimpse pockets of the artist’s work across media, and feel her expansive and collaborative production.
The Harlem Renaissance was a globally networked movement of sprawling self-determination energized by the new modalities of Black subjectivity.