Arts

Aparicio treats unwanted things with extreme sensitivity, personally gathering and storing them over many years, renewing them with remarkable vision.

EXPORT’s urban interventions in her exhibition Embodied alert us to the risks of being read as femme in a highly visible, public space. 

Coaxial Arts serves as a crucial resource and hub for LA-based video and multimedia artists, who have rallied around the organization as it weathers financial challenges.

Her creations have a beautiful economy, where even rusty old machine parts might become transformed into a gilded patina on one of her sensuous memory maps.

The institutionalization of radical history in Women in Revolt! inevitably blunts the message, and streamlines the complex whole into a concise lineage.

The academic rigor of Entangled Pasts is counterbalanced by the poignant responses by contemporary artists and some astonishingly inspired curating.

The artist considers his own place in the complex history of landscape painting through canvases stretched imperfectly on wood from trees around his home.

The institution, which helps artists and arts organizations secure grants and hosts free public programming in New York City, hasn’t been without challenges.

An exhibition at the Morgan Library pays tribute to the illustrator’s prowess as a naturalist, storyteller, mycologist, and sheep farmer.

Seen today, histories of radical feminist positionality and liberational struggle reverberate with stinging intensity.

An artist and scholar duo hosted community meals with dishes made from water, tree ash, and clay from across the country, now on view at the Skirball Center.

The city was once a hub for an ancient Greek ritual. Now, efforts to harness its fabled past risk merely aestheticizing its current environmental and economic hardship.

“The pieces feel like they used all of us to create themselves,” she told Hyperallergic.

As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Brian Johnson explores the decolonial practices of Indigenous and Native American poster designers.

This week, the boundless creativity of Audrey Flack, filmmakers memorialize the Haitian Revolution, medieval women’s embroidery, talking dogs, and more.

This week, studios in Chicago, California, DC, and New Hampshire.

Aji’s bifurcated practice reflects his experience of living and working in two different worlds, India and the Netherlands.

The museum’s façade has been the site of projections and demonstrations for everything from labor rights to World AIDS Day.

Women in Revolt! is essential viewing for those keen to understand the evolution of British feminism from the 1970s to 1990s.

Although his work is legendary in ancient Greek sculpture, Phidias himself remains fugitive, a blank space whose outlines can be discerned in the copies of his works.