Arts

While most Minimalists sought to eliminate expressive potential, McCracken’s sculptures do quite the opposite.

An exhibition hints at synchronicities between the contemporary concerns of a small island nation and a vast and diverse continent.

Sargent’s sitters were all rich enough to employ him — the nouveau riches or (less often) the aristocratic, though it hardly matters.

Upending narrow framings, Vikrant Bhise renders the grassroots and captures the ongoing struggle to end casteism.

I can only hope my work helps preserve the legacy of this community as the next generation builds upon the blueprints laid before them.

There’s nothing still in Melinda Braathen’s still lifes, which are lush and alive, growing, pulsing, vibrating.

The Princess’s decision to share a strangely edited image and then apologize for it did little to quell the internet’s absurd conspiracies.

The continuum of Black artists in the city has fostered decades of spaces and practices centering accessibility and the link between art and life.

With its hands-off approach, the Milwaukee Art Museum’s survey is a reprieve — an intimate place to wallow in mark-making.

Harold Cohen’s plotters and software programs both clarify and complicate the historical narrative around AI and art.

Artworks will be attributed to both Dorothy Hepworth and Patricia Preece for the first time in a new exhibition.

Las Vegas Ikebana chronicles both the character and persistence of decades of work produced by the two artists.

Alice Könitz conducts art experiments with mycelium in the middle of the Mojave Desert.

This week, aging and women’s self-portraiture, the fictional language of Dune, an Air Canada AI nightmare, Terracotta army dancers, and much more.

We can almost breathe the atmosphere of the sad London of the 1950s in Auerbach’s suite of charcoal portraits from the 1950s and 1960s.

Adéagbo teases out the exploitative and exhibitionist currents in aesthetic traditions, yet his world-making reclaims the emancipatory values of creative expression.

This week, artist studios in Colorado, Indiana, California, and the Hudson Valley.

As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Machiko Harada examines how Japanese and Japanese-American artists address the painful legacy of US concentration camps during World War II.

By laying numbers, words, and phrases onto otherwise abstract imagery, the late Argentinian artist prophesized the dread-inducing news alerts of our time.

Featuring a mix of regional and global artists, the space showcases work that snapshots the day-to-day Caribbean life of today and yesteryear.