Rose B. Simpson’s Antidote to “Postcolonial Stress Disorder”
“The pieces feel like they used all of us to create themselves,” she told Hyperallergic.
Mindfully Curated
“The pieces feel like they used all of us to create themselves,” she told Hyperallergic.
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Brian Johnson explores the decolonial practices of Indigenous and Native American poster designers.
This week, the boundless creativity of Audrey Flack, filmmakers memorialize the Haitian Revolution, medieval women’s embroidery, talking dogs, and more.
This week, studios in Chicago, California, DC, and New Hampshire.
Aji’s bifurcated practice reflects his experience of living and working in two different worlds, India and the Netherlands.
The museum’s façade has been the site of projections and demonstrations for everything from labor rights to World AIDS Day.
Women in Revolt! is essential viewing for those keen to understand the evolution of British feminism from the 1970s to 1990s.
Although his work is legendary in ancient Greek sculpture, Phidias himself remains fugitive, a blank space whose outlines can be discerned in the copies of his works.
Chavis Mármol told Hyperallergic that he wanted to “crush an object that represents a sinister figure like Elon Mollusk.”
Khomenko forcefully responds to her war-torn Ukrainian homeland with complex compositions, lavish and varied brushwork, and avidity for color.
Learning the notes, melodies, and messages of posters by Indigenous designers will only strengthen our communities and add such needed songs back into humanity.
William Blake’s Universe feels a little hugger-mugger, as if part of its job is to offer up its secrets to like-minded enthusiasts.
Vicente Blanco’s quietly complex drawings depict disorienting, spellbinding scenes in which things are rarely what they initially seem.
Rather than embrace individualistic “hustle culture,” the women in her paintings work communally and find time to rest.
The new Hilbert Museum of California Art at Chapman University holds over 5,000 works that plumb the rich history of the Golden State.
The late activist’s art transformed religious symbolism used to denigrate and debase, forging a path in the world for the undocumented community, sex workers, and transgender people.
With Storage of the Gods, the artist explores what a spiritual practice can look like in our secular, stressed-out world.
I hear students and friends alike ask where are our books and documentation? Where can I see our Native American design history?
Joanna Beall Westermann, Mel Kendrick, Japanese zenga paintings, absolute gems from the collections of Swizz Beatz and Alicia Keys, and more.
A new documentary explores the scandals surrounding the 1964 show, illuminating the US government’s obsession with its international image.