Arts

A new exhibition at the Morgan Library explores the legacy of its inaugural director, who amassed a trove of rare books and prints while passing as a White woman in segregated America.

Echoes of the Brother Countries explores the ongoing traces of Germany’s ties to socialist countries via artwork and film screenings.

Suneil Sanzgiri’s exhibition at the Brooklyn Museum joins lines of companionship across histories of colonial dispossession.

As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Tiffany D. Gaines examines the city’s often under-recognized artists, change-makers, and arts advocates.

The art collector and philanthropist amassed over 700 works spanning modern and contemporary art along with her husband, Burton Tremaine.

This week it’s a whole lotta TikToks, as the US government wants to ban it if the company doesn’t sell it to another owner, which is pretty terrible.

In his paintings, Ding establishes an imaginary dialogue with architect I. M. Pei that reveals something about both the artist and his subject.

Paintings that appear ever-changing make us conscious of how we see.

While most Minimalists sought to eliminate expressive potential, McCracken’s sculptures do quite the opposite.

An exhibition hints at synchronicities between the contemporary concerns of a small island nation and a vast and diverse continent.

Sargent’s sitters were all rich enough to employ him — the nouveau riches or (less often) the aristocratic, though it hardly matters.

Upending narrow framings, Vikrant Bhise renders the grassroots and captures the ongoing struggle to end casteism.

I can only hope my work helps preserve the legacy of this community as the next generation builds upon the blueprints laid before them.

There’s nothing still in Melinda Braathen’s still lifes, which are lush and alive, growing, pulsing, vibrating.

The Princess’s decision to share a strangely edited image and then apologize for it did little to quell the internet’s absurd conspiracies.

The continuum of Black artists in the city has fostered decades of spaces and practices centering accessibility and the link between art and life.

With its hands-off approach, the Milwaukee Art Museum’s survey is a reprieve — an intimate place to wallow in mark-making.

Harold Cohen’s plotters and software programs both clarify and complicate the historical narrative around AI and art.

Artworks will be attributed to both Dorothy Hepworth and Patricia Preece for the first time in a new exhibition.

Las Vegas Ikebana chronicles both the character and persistence of decades of work produced by the two artists.