Arts

With their exhibition of signs, Madrid collective Paco Graco has created a catalyst for conversations about the city’s past, present, and future.

Drawing on his knitting and crochet skills, Vincent softens hard surfaces, such as steel lockers and locks, porcelain urinals, guns, grenades, and bombs.

Since antiquity, periods of political uncertainty have generated spurious proclamations of the Antichrist, from Nero to Taylor Swift.

This week, archiving Palestinian seeds, Criterion and cinematic taste, pianos get a tech upgrade, cotton candy art, and much more.

This week, artist studios in Connecticut, Mexico, Los Angeles, and Wisconsin.

Cathleen Clarke’s haunting paintings of childhood, Sharon Louden’s funhouse-like aluminum artworks, Richard Mosse’s new video installation, and more.

The artist’s work embodies a level of confrontation that makes me contemplate our choices to explore or ignore what’s right in front of our face.

This week, artist studios in Vancouver, Santa Fe, California, and Pennsylvania.

Rosalba Carriera worked on a small scale, but she was emphatically not a modest artist.

In his latest project, a three-channel film and accompanying archival documents ruminate on the interplay between historical value and familial intimacy.

From polycules and break-ups to situationships and forbidden love, Hyperallergic has you covered this February 14.

Bechara’s grid paintings are dazzling, engaging, and unsettling, since they undermine any sense of stability that we associate with a grid.

At Z33, a group show of more than 50 artists across three chapters tells the story of our divisive present.

The Billy Ireland Cartoon Library & Museum at Ohio State University is an ultra-accessible shrine to the genre.

The American artist-activist’s work resonates with a special sharpness these days, more than half a century after his death.

Kroll has put a lot of labor into dismantling machinery that once took a lot of labor to create, in the ongoing effort to save ever more labor.

The resurgence of deathcare workers across industries presents an opportunity to creatively reimagine what a good death can look like.

If paño arte is the private-facing practice of artists serving time in penitentiaries across the United States, then artepaño encompasses the afterlife of the artifact.

What surprised me about Korman’s new works was the degree of inventiveness I encountered in her off-kilter compositions.

During the COVID-19 lockdowns, Perry turned boxes into templates for needlepointed artworks, reflecting an era narrowed to domestic spheres.