Arts

Ruth Duckworth’s legacy is an unwavering commitment to clay as a medium that expanded beyond the potter’s craft.

At Fotografiska, visitors can don a headset and view the abstract artist’s work while experiencing the nauseating fear of falling from imaginary cliffs.

The design by Schiaparelli, known for its collaborations with Surrealist artists, further blurs the fuzzy lines between fine art and haute couture.

“Why should I paint dead fish, onions, and beer glasses? Girls are so much prettier,” said painter Marie Laurencin.

The story of AI images isn’t just about robots, but also about the people behind these strange, futuristic visuals.

It’s refreshing to see a number of recent shows across the city highlighting work by Brazilian women, rectifying historical gaps.

The Onondaga artist has a propensity for cultural criticism — especially on the issues affecting Haudenosaunee and other Indigenous peoples, past and present.

Her posthumous exhibition Aye! makes space for gaps in understanding and sonic vibrations to cultivate cosmic wonder.

Photos of a new “feminist” sculpture unveiled in DC somehow manage to do a disservice to art, trees, and women’s history.

Each item offered at the “Garage Sale of Upscale Garbage” in Bushwick is one-of-a-kind.

“It is our responsibility — whether we are Native or not — to educate ourselves about whose land we are on,” writes artist Cara Romero.

This week, why Toni Morrison left publishing, the Artforum open letter debacle, Halloween costumes only New Yorkers will understand, and more.

The sprawling Park Avenue Armory fair, thoughtfully and spaciously curated, is never too stuffy or zeitgeisty.

“América invertida” by Uruguayan-Spanish artist Joaquín Torres García was always meant to be a mission statement.

This month: Hélio Oiticica, Rick Castro, Rosemary Mayer, the Virgen de Guadalupe photographed across the city, and more.

Virginia L. Montgomery initiates connections between humans and their natural surroundings and envisions a hopeful future when Anthropocene hierarchies are overturned.

A new documentary follows a team of Ohio artists and environmentalists transforming acid mine drainage into viable art materials.

This month: Frank Stella, Jaqueline Cedar, Manet vs. Degas, nudes from the Arab world, and more.

“My drawings were always kind of grim and dark, and leaning toward the nasty part of art, whatever you want to call it,” Jones explains in an interview with Hyperallergic.

Poetic and subtle, her work invites viewers to contemplate each material as it changes, or stays the same, over time.