Arts

This week, satellite images capture lines of cars carrying Armenians fleeing Nagorno-Karabakh, an Ethiopian painting looted by the British Museum, digitizing Urdu script, and much more.

Mario Schifano moved nimbly among different modes and never settled into a style, which sets him apart from many of his contemporaries.

When White-dominated arts institutions would not offer them opportunities, Robert L. Douglas and other Louisville Black artists organized together to create their own art communities.

Her work brilliantly reframes age-old storylines from a Persian cookbook as modern allegories for female liberation.

The artist’s solo exhibition Heaven on Earth is a fluorescent floral feast for the eyes.

Two colossal inflatable sculptures by the Winnipeg-based artist prod the colonial roots of economic and racial inequality in the country.

Titled Now and Forever, the new designs honor the ongoing pursuit for racial equality in a country built on systemic oppression.

Art for the Millions at the Met Museum foregrounds the perspectives of women and people of color in the 1930s in the wake of industrialized labor.

Baker’s art exudes the deep and spiritual connection to nature that she has gained from her Mandan/Hidatsa family.

The Met’s staff art exhibition made headlines when it opened to the public last year. As it turns out, these shows are anything but rare.

“Our culture is far richer with the inclusion of other life forms,” says Catherine Chalmers, an artist who collaborates with a collective of wild ants to create tiny, Abstract Expressionist “Antworks.”

A Cubist Commission in Brooklyn at The Met is a compact, simple display, but the work and research it contains is diminished by being so cut off from its historical and personal contexts.

Those who ventured through torrential rain were treated to intimate conversations in cozy lofts and sometimes extraordinary work.

“The Laboratory” by John Collier is an example of a “problem picture,” paintings focused on characters caught in moral dilemmas that incited gossip amongst viewers.

Humane Ecology at the Clark Art Institute asks viewers to consider different interpretations of nature, including those of people who have been marginalized, silenced, and erased.

The 160-year-old Lower East Side landmark tells the story of the immigrant families who lived under its tin ceilings and wood-frame walls.

This week, artist studios in London, Maine, Harlem, and Toronto.

Restaurants are restorative, perhaps, for those eating, but they can also be grueling places of labor that tax workers’ bodies.

Yes, it sometimes felt like a circus — but circuses are fun, and art fairs, typically, are not.

This week, how to break up with your art-snob boyfriend, a pioneering woman graffiti artist, the rot in Rotten Tomatoes, and what would Ursula K. Le Guin have to say about AI-generated art?