Arts

An exhibition in Chelsea features one of the artist’s “Infinity Rooms,” which haven’t been shown in NYC since 2021.

At the Independent, the cool kids of the art world rhapsodized about celebrity culture and the environment.

The less-than-idealized body is a mainstay of modern art. But whether or not it sells is another question.

This week, social media sleuthing reaches new heights, coronation fashion, and did a journalist fabricate an MLK quote on Malcolm X?

The show returns to its original space at a Catholic school in Nolita for a 10-day, salon-style exhibition.

The show does away with one of the worst aspects of art fairs: galleries displaying their loudest works in an ever-escalating bidding war.

Speaking with Light addresses an Indigenous audience with a subtler message: we are now in the process of reclaiming our own representation.

He embraced the uncertainty of his environs, knowingly erecting his assemblage sculptures in areas subject to police raids.

In Sherpa’s art, Tibet and California, thangka and pop art, Buddha and Mickey Mouse mingle and morph to create a new visual language.

In contrast to the speed and bravura of gestural abstraction, new.shiver slows time, and invites viewers to ponder how one might shape time passing.

From the mid-1960s, when Dodd first took her Masonite panels outdoors to paint, her production has been shaped by observation.

The Herbert Hoover Presidential Library and Museum was about to display “authentic artifacts” from the “Near East.” But something was immediately off.

The artists in Message from Our Planet at the Weisman Art Museum in Minneapolis want to shake us awake before it’s too late.

An exhibition organized by the New York Civil Liberties Union harnesses the power of art to illustrate the disastrous effects of over-policing.

Part 2 of Pratt’s MFA thesis exhibition is all about depicting the toxic capitalist, racist, misogynistic, transphobic status quo in the US.

The poetic history of melons, odes to Arabic calligraphy, and a dystopian badminton court were among the highlights across 55 galleries.

The artist draws inspiration from her own migration to consider both the confinement and freedom associated with a life in motion.

Hostility comes across in various forms throughout “Hostile Terrain ’94,” a show about the perils involved in undocumented migration.

Her Brush is kin with the growing number of women-only presentations that reveal a fact hiding in plain sight­­: great women artists existed everywhere at all times.

Friends of the Orphan Signs sees abandoned roadside signs as a creative and educational opportunity, turning them into revitalized works of art.