Arts

Artist Chloe Chiasson, who grew up in a small conservative town in Texas, draws from its iconic imagery to make space for queer figures.

The lively colors and patterns in Browne’s Africa painting series hint at the depth and breadth of visual stimuli that she experienced traveling to West Africa.

The ceramics-focused Earth Oracles is a garden of earthly delights, with sumptuous glazes and a mastery of the medium on proud display.

New Mexico artist Eric J. García creates satirical sci-fi images of White colonization, painted with prickly pear ink.

Seeing the works by the University of California, Irvine’s MFA students, many of which use leftover material site-specific to the campus, lead me to wonder if they also constitute a kind of leftover material of time.

Erica Reade’s photos meditate on moments of romance and intimacy in public spaces.

This week, where did chickens come from? Is being “fashionably late” obsolete? And other important questions.

The Biden Administration’s plan to improve the Public Service Loan Forgiveness program may fall short for most working artists.

In her sculpture, Conrad is disengaging from permanence and the imposition of one’s will, as taken up by sculptors from Michelangelo to Serra.

Despite the fact that Lees works on paintings for as long as 30 years, they don’t appear overly precious. Instead, they seem human and vulnerable.

In a new six-month-long citywide arts initiative, 18 site-specific artworks are being installed throughout 28 parks in San Diego.

Strolling through the Millicent Rogers Museum’s exhibition Following the Manito Trail, seeing my own family name displayed on the wall was complex and strange, to say the least.

We spoke with three public school art teachers from the Movement of Rank-and-File Educators (MORE) on their efforts to reform New York’s largest teachers’ union.

Depicting the busts of Gabriel and the Virgin, “The Annunciation” (1677) may be the ultimate lost artwork, or “sleeper.”

Rauschenberg gave artists an enormous sense of freedom and permission to create anything they could dream of, so long as they were earnest in their ideas and execution.

Just as LeWitt used minimalism to distill geometric forms, Darboven used it to expose the raw structure of time.

Much like her writing, O’Grady’s photomontages pressure binaries until something other, something “both/and” emerges.

As a coming-of-age memoir during World War II, Zoe Beloff’s Reminiscences of a Refugee Childhood is a document of a generation rapidly fading from living memory.

Your list of must-see, fun, insightful, and very Los Angeles art events this month, including Jesse Mockrin, Ken Gun Min, Farah Al Qasimi, and more.

Photographer Malcolm Varon’s 1977 portraits, on view at the Georgia O’Keeffe Museum, are some of the only images of the artist late in her life.