Arts

Beautiful Repair: Mending in Art and Fashion at Copenhagen Contemporary explores the aesthetics of mending through the lens of art and fashion.

Yvette Mayorga demonstrates the efficiency of Rococo in articulating class distortions of US Latinx peoples.

Contemporary artists are looking to spiritual and divination systems to address today’s power structures.

Translating text into visual forms, Lynne Avadenka creates meditative dialogues that transcend time.

The photographs in Renata Cherlise’s Black Archives capture Black people experiencing moments of love, joy, rest, leisure, and everyday life.

This week, more inclusive crayons, categorizing female muses as artists, Tiktok-fueled “secret menus,” Bernie walks into a TikTok, and much more.

Adebunmi Gbadebo creates art from organic materials, like soil taken from her enslaved ancestors’ grave sites on the True Blue plantation.

By transforming guns into art and everyday objects, the artist hopes to transform culture itself.

Trevor Winkfield’s modestly scaled acrylic paintings abound in puzzling, private symbols.

Members of the Keiskamma Art Project experiment with needlework to narrate pertinent histories, moments of communal grief and of vitality.

This week, a new portrait of André Breton, the problem with painted shadows, the story of a misidentified 19th-century potter, and more.

He was interested in a kind of realism, inseparable from the cold structures and isolated people that populate his compositions.

Though each artist’s work in Vision Pool is distinct in media and style, they share elements that test perception.

I don’t know you like that: The Bodywork of Hospitality goes well beyond the conventional meaning of “hospitality” as generosity and conviviality.

Angela Manno applies her knowledge of Byzantine iconography to memorialize the fauna and flora whose days are threatened or already past.

In advance of the museum’s opening, a series of rotating exhibitions in the Bronx Terminal Market offers a preview of what’s to come.

The art displayed in the rooms of Hollywood’s Roosevelt Hotel this year proves that Minimalism is officially dead.

How is legacy defined, who defines it, whom does it serve?

“It was my way of working through what had happened inside my body,” Santa Fe artist Christine Cassano tells Hyperallergic.

The Stories We Carry displays the breadth and scope of the medium, and its inherent storytelling capacity.