Arts

Leigh’s transformation of the US National Pavilion is no immersive installation, but rather a proposal in sculpture, and by sculpture.

This week, Karl Marx was wrong about “primitive communism,” Zoomers say they’ve had enough of TikTok, and great news: Time travel is within the realm of possibility.

All over Instagram, medieval imagery has been remixed, captioned, and somehow reads as peak hilarious, depending on your sense of humor.

The Albuquerque studio Risolana wants to “cultivate an artmaking space as accessible as the risograph itself.”

This week, artist studios from Nashville, Long Island, Quebec, and Philadelphia.

Granary Arts brings contemporary art, international discourse, and a different lens into a traditional landscape.

Since 2019, Art Workers’ Inquiry has been developing methods for everyday art workers to speak openly on capitalism and colonialism in the art world.

In Kim’s art, peculiar characters may be skulking out of sight, shrouded in shadow, forever forgotten in bygone dreams, or inscrutable in the recesses of her memory.

Cheng is equal parts inventor and artist, breaking both technological and cultural ground as a Chinese-American artist.

Connor creates a simulacrum of closed-down businesses she would frequent or come across in Los Angeles, New York City, and New Zealand.

A tight-knit community of art entrepreneurs in Albuquerque launched their businesses in the wake of the pandemic.

This week, a rare fossil is discovered, a new book on artist Niki de Saint Phalle is published, the erasure of women philosophers continues, a culinary map of China, and much more.

Graham is inspired by science and draws on her deep knowledge of it, which ranges from chemistry and molecular structures to botany.

One of Red Star’s many strengths is her ability to examine both the past and what’s still to come.

Whereas the creators of landscape abstractions generally believed their paintings were impervious to time, Lucy Mullican makes artworks that are exposed and susceptible.

Birgir Andrésson was steeped in Iceland’s ways and lore, landscape and history. It was also his complex subject and an energizing force.

Rather than dismissing illegibility as a lack of clarity, Steffani Jemison embraces opacity as a strategy that provides other ways of practicing freedom and connection.

Hambling’s paintings nudge viewers to consider what we will be losing if humankind continues on its current path, and how much we’ve already lost.

The exhibition is a compelling, if at times dissonant, examination of the formal and material possibilities at the heart of abstraction.

In Calzolari’s recent paintings, organic and metaphysical forces are one: vapors are rudimentary atmospheric gas particles, but they also signify wonder and bliss.