Arts

The semi-durational installation The Mountains Wore Down to the Valleys poetically frames the challenges of the pandemic, and more.

LA-based artists Julie Weitz and Jill Spector are reimagining the traditional Jewish garment to include a wide spectrum of identities.

The 1969 exhibition 5 + 1, and now Revisiting 5 + 1, are reminders that the history of Black Art in the United States is diverse rather than monolithic.

The artist’s solo US museum debut at the Baltimore Museum of Art is a contemptuous, at times satirical, take on oppression that gives way to a new history.

Who tells a tale adds a tail: Latin America and contemporary art explores contemporary Latin American art without conforming to external expectations.

Simulation Sketchbook takes as its starting point the reality that digital artists, like all artists, sketch out their work as well.

How does a selective competition fit with the contemporary art world’s aspirations toward greater inclusivity?

“Dignity of Earth and Sky,” unveiled in 2016, raises questions about who should depict Native people and how they should be portrayed.

In this online exhibition, Indigenous artists reclaim realities long denied them by US and Canadian federal governments — including moments of collective reverie.

With two exhibitions at SoFi Stadium, the Kinsey African American Art & History Collection seeks to engage a different art audience.

The works that best exemplify a uniquely German grotesque in Reexamining the Grotesque are those that reflect the war and Weimar years.

Nickson’s interests lie in the individual’s place in a world shaped by immensities of land and water, sky and cloud.

Miguel Calderón examines class, violence, and corruption in Mexican society with macabre, irreverent humor.

The works spanned a variety of media, showcasing the diversity of artmaking and image production that supplements a revolution.

For this year’s edition of the San Francisco festival, 16 Latina and Chinese women designed and hand-sewed flags that tell their story.

Robert Legorreta, also known as “Cyclona,” discusses the origins of his performance art and ongoing political activism.

A caustic New York Times review from 1975 almost destroyed his career, but he remained one of the most influential artists of the 20th century.

How do we consider land-inspired art in an age when huge swaths of our shared world are being clear cut, mined, drilled, and desertified?

Sea View, conceived by Jorge Pardo as both an artwork and a residence, embraced the dissolution of borders between disciplines.

Manhattan now has its own, downscaled version of the artist’s famous Chicago sculpture, oddly squished under a luxury condo tower.