Arts

This week, AP Style Twitter goes wild, the “enshittification” of TikTok, and did people actually come flooding back to New York City after COVID?

The French painter felt he had to rise to the challenge of one question above all things else: What exactly is it to be a modern artist?

Philipsz’s haunting sound and video artworks serve as a poignant witness to the lives and artistry of victims of the Holocaust.

Passamaquoddy citizen Chris Newell is imparting his knowledge of the Wabanaki Confederacy to advise on the Portland Museum of Art’s expansion.

The artist’s site-specific museum exhibition Three Parallels glows with choreographed colored light.

In Seongmin Ahn’s paintings, it is not our past we are looking at but our possible future.

Born in Shiraz, Sokhanvari fled Iran as a child a year before the Revolution and has devoted her artistic practice to the country she left behind.

This week, artist studios in the streets of Manhattan, a Texas high school, a Brooklyn apartment, and more.

Your list of must-see, fun, insightful, and very New York art events this month, including Ed Ruscha, Nina Katchadourian, Luis Camnitzer, Martha Edelheit, and more.

Asawa’s life masks do not keep count of past or future losses.

Amid a worsening inflation crisis, Sergio Guillermo Diaz’s banknote artworks are a poignant symbol of Argentinian resilience. 

Al-Hadid’s new mosaic features the famed clock that hung at the entrance of the original station until the building was demolished in the 1960s.

Your list of must-see, fun, insightful, and very Los Angeles art events this month, including Alicia Piller, Brad Phillips, Mulyana, the MexiCali Biennial, and more.

Her solo exhibition at the Los Angeles institution demonstrates how natural light can turn an overlooked, everyday setting into a sublime landscape.

Nicola López and Paula Wilson’s exhibition Becoming Land considers anthropocentric relationships with New Mexico’s desert landscapes.

Moving too fast on your commute, looking out of the corner of your eye one second too late, and you might miss HOTTEA’s yarn installations.

Peruvian history is a contentious subject, and the authorities in charge of writing its first drafts should not be taken at their word.

A little detail in an artwork can reveal that sometimes what is right on the surface can change our understanding of the whole.

Oh Shit! retraces the historical arc of feces from ancient Rome to the sewage challenges and potential innovations of the 21st century.

How two beloved institutions showcase and support artists working outside of the mainstream art world.