Two Artists’ Quest to Free Their Ancestors
Artists Heesoo Kwon and Trina Michelle Robinson make worlds in which their distant relatives can fill the fractures of memory.
Mindfully Curated
Artists Heesoo Kwon and Trina Michelle Robinson make worlds in which their distant relatives can fill the fractures of memory.
The city’s new initiative comes after years of penalizing and white-washing independent and unauthorized street art.
If Twitter crashes, where do we go to talk about Twitter crashing?
AI image-generators have got art historians in a twist, as more artists make use of these tools to inform their practice.
It’s hard to leave a gallery, and it can be even harder to stay and deal with your dealer. Paddy Johnson weighs in.
After a decade of working across different nonprofits, all too often I saw countless projects and frameworks deteriorate due to a lack of radical imagination.
The stories of the Red Orchestra show the power of joy, creativity, and love in the fight against the compliance, fear, and silence upon which fascism still depends.
This week, digital colonialism, America’s favorite wines, tech layoffs, Brutalist Taco Bells, and do people still write thank-you notes?
In his monochrome paintings, Ha Chong-Hyun recognizes that no matter how much we claim to reveal, something will still remain hidden.
Art for the Future: Artists Call and Central American Solidarities portrays how Artists Call swiftly created a transnational network working toward a single purpose.
The Transcendental Painting Group lived through a global pandemic, great economic disruption, the environmental disaster of the Dust Bowl, and the dangers of rising fascism and war.
The Metropolitan Museum of Art’s Lives of the Gods exhibition is the first major US show of Maya art in the last decade.
Given Colorado Springs’s politics and hyper-conservatism, wouldn’t artists hesitate to make and perform work there?
Project Art Distribution’s roving shows exuberantly defy the established art world order.
This week, artist studios in Austin, Dublin, Long Island City, and Los Angeles.
Stanford’s Asian American Art Initiative allows for a range of expression not usually granted to Asian-American artists — something especially refreshing in this rare moment of visibility.
Kyung-Me’s disciplined focus on minute details is inseparable from a vast grotto of feelings that she has channeled and kept in check.
Goblins became a fitting identity for NFT enthusiasts, who are uncertain about their future, yet are still darkly proud of their fast-paced, albeit often conniving, subculture.
Young, queer, and non-White tattoo artists are exploring how the artform can complement the body’s natural curves and colors.
Collaging debris culled during urban excursions, Michael Alvarez portrays the liminal spaces of his city, from freeway underpasses to public parks.