Arts

Sprawling across the Joshua Tree region, nine site-specific works consider the ways in which people have relocated to the desert, destroying what came before them, and cultivating new life.

The small New York art fair celebrated its 26th edition with the works of 11 women artists.

The artist couple shared creativity and mutual devotion reflecting a period of light and joy that came after considerable darkness in their early lives.

It’s art fair season and we’re here to comfort and entertain you during this difficult time of the year with a new, biting edition of our Bingo card series.

Michelle Segre’s art is truer to the actual world we live in than to the ideal one proposed and refined by the art world and its institutions.

The school’s 2022 cohort was encouraged to fail, get messy, and try new things.

In the artist’s new exhibition, Black moves away from her signature representation of commercial goods to celebrating the labors behind everyday life.

Over the past decade, the Taos-based artist has outfitted two vintage RVs with hundreds of cast glass pieces that collect light from the desert sky.

Ikon Gallery’s retrospective asserts that Carlo Crivelli’s self-reflexiveness and questioning the nature of the image made him anticipate the “contemporary.”

An exhibition at the Noguchi Museum marks the 80th anniversary of Executive Order 9066, which forced over 120,000 Japanese Americans into detention camps.

This week, Manhattan offices are still mostly empty, Gwyneth Paltrow releases luxury baby diapers, how to remove your personal data from Google, and much more.

The artist says she wants to “confront people with beauty and pride and complexity.”

Sandra Monterroso confronts the knots that tie together the inequalities, violence, discrimination, racism, and patriarchy in Guatemala.

For all its quirks, Sprout Hinge Nap Wobble’s immersive elements never feel gimmicky.

The Colombian artist’s first US retrospective is a meditation on memory and seeing.

“As horrifying as the details of my family story are, that is literally every émigré story. Your only choice is to leave everything behind,” says artist Jenny Yurshansky.

More than simply focusing on the food, the exhibition at the Los Angeles Skirball Center illustrates how the Jewish Deli was uniquely American, tied up with political and social trends of the day.

Nadia Haji Omar’s art asks us: Can we look for the sake of looking? Or must looking always be about gaining and extraction?

Somehow, the poisonous American anger that swirled around Guthrie never corrupted that innate creative optimism. Empathy was his reliable muse.

Sculptures by Hungarian artist Zsófia Keresztes, Malgorzata Mirga-Tas’s Polish Pavilion transformation, and more highlights from this year’s show.