Arts

Hambling’s paintings nudge viewers to consider what we will be losing if humankind continues on its current path, and how much we’ve already lost.

The exhibition is a compelling, if at times dissonant, examination of the formal and material possibilities at the heart of abstraction.

In Calzolari’s recent paintings, organic and metaphysical forces are one: vapors are rudimentary atmospheric gas particles, but they also signify wonder and bliss.

When Adeliza McHugh opened the Candy Store gallery she envisioned art that moved; art that was interesting; art, as she often said, with a “kick.”

Cleavage at Arcade Project Curatorial, the artist’s first solo show in NYC, pondered how one can hold an identity alongside a shifting sense of home.

The world’s oldest art biennial is back, and this year we’ve found a way to make it all a little easier for you to navigate with our fun-filled Bingo card.

Anthropomorphized frog, insect, and bird figures bob in the background, dancing at the same spring ball.

Fronteras del Futuro: Art in New Mexico and Beyond uses speculative fiction as a critical lens on culture.

At NYU’s Latinx Project, a group exhibition explores how Latin, African, and Asian diaspora artists promote sustainability beyond borders.

Beyond a mere homage to LA’s aesthetic vocabulary, Alvaro Barrington sees past the superficiality of Hollywood to celebrate the myth-making at its center.

Far from empty wildernesses, the ancestral lands of the Sámi people in the European Arctic are ecologically diverse sites of culture, care, and collective endeavor.

After an early career as a minimalist, Villa’s turn toward cultural expression was influenced by his study of Oceanic and African art to fill in the lacuna of Filipino art in art historical narratives.

In Plato’s Closet, artist Timothy Hull gestures to the opportunities for creative play and repurposing that looking backward can pose.

Printmaking, especially screen printing, has been a key tool for Chicanos to communicate who they are and what they care about since the 1960s.

These are what have been for me the most troubling and beautiful aspects of being a full-time critic and writer.

Kwon Young-Woo presents the viewer with a deeper sense of the reality that nature goes on, no matter what humans are doing to each other.

For the five artists in From Scratch, starting from the elemental meant raising existential questions on the use of language and humor or irony in art.

The photographer chronicles her life as a queer woman of color born with HIV.

This week, national participation in the Venice Biennale, teen depression in the US, the “pity me” personal essay, reimagining borders, and more.

Elliott Green seems to be espousing that landscapes are living forms governed by rules we cannot fathom — they appear to be welcoming us, but we might be wrong.