Arts

The visual stutter of Mary Lum’s artwork invites us to enunciate the staccato repetitions of sounds we hear and see when we walk through the city.

Though little-known outside of his native country, Smrekar left a strong imprint on his nation’s art world and political thought.

The Black Woman Is God, an annual showcase of Black womxn visual artists, has become a staple of Black Bay Area culture.

By recording unusual sights encountered throughout his travels and disseminating these via workshop practices, it’s understandable why Dürer is so prominent in art history.

From Egyptian craftsmen to European textile workers, artists have always found strength in numbers.

Your list of must-see, fun, insightful, and very New York art events this month, including Sadie Barnette, Faith Ringgold, and more.

Your list of must-see, fun, insightful, and very Los Angeles art events this month, including Ulysses Jenkins, EJ Hill, Carlos Almaraz, and more.

Lasansky’s series drew massive crowds when it toured major museums between 1967 and 1970.

A replica of Leonardo da Vinci’s “Last Supper” sits in the Great Mausoleum, though in stained glass, and a full-scale replica of Michelangelo’s sculpture David stands outdoors in a plaza, although in bronze.

In crypto, as in war, stasis is death. You will miss the drop.

Join Hyperallergic for an online conversation with cultural organizer and curator La Tanya S. Autry on February 1 at 7pm (EST).

This week, the Tonga eruption as captured from space, Boston gets a big gift of Dutch and Flemish painting, 30 years of New Queer Cinema, an important Marcel Breuer house is demolished, and much more.

Being bowled over by an unknown artist’s first one-person show does not happen often but when it does, it renews your faith that the art world is not just about buzz and hype.

Surrealist images of a Rice Krispies box or Yukon Gold potato explore how data is transformed into the visual language called art.

What is wonderful about the online photography exhibition What Have We Stopped Hiding? is that one is given entrée to the internal monologue of the artists featured in the show.

Self-taught artists were invited to exhibit, and sell, their fuzzy stacks of pancakes and tasseled tapestries.

In his new works, Gober pulled me into another world, one that was both illuminated by natural light and full of cold shadows.

What’s difficult, perhaps impossible, to show in art is the experience of what passes beyond all comprehension.

Testament at Goldsmiths College asks: Can any monument be removed of its tarnish?

To understand contemporary art, it is necessary to investigate the connections that are sometimes omitted or undervalued in art history.