Arts

Tree of Knowledge, a suite of eight paintings by the beloved artist and spiritualist, is up at David Zwirner Gallery.

The Museum of Modern Art’s retrospective exhibition Liquid Reality showcases how Kubota turned video art into sculpture.

Does the Academy Museum exhibition successfully plumb the depths of Miyazaki’s psyche?

“Our guiding principle is to make things that don’t get old and thrown away,” says Sudō Reiko.

Grimanesa Amoros’s Golden Array invites onlookers to reflect on connections through “the invisible trajectories of a wireless universe.”

Cryptoart is being generated by artists looking for something that the conventional art world can’t, or won’t, offer them.

The works in Love Lies Bleeding were “made in the process of loss, heartache, and recovery,” but nowhere is there a dour note.

Her witchery is mischievous, aiming to trick the beholder into a quite fragile enchantment.

Mode Brut at the Museum of Craft and Design wants to change people’s perceptions of what fashion can be.

From Njideka Akunyili Crosby to Elizabeth Catlett, Before Yesterday We Could Fly: An Afrofuturist Period Room integrates works by Black creators from the past to the present.

This week, Bored Yacht Club’s NFT millions, fry bread, new space race capitalism, the legacy of Nazi art, and more.

The artist, who had macular degeneration, closely scrutinized his subjects, even as he fictionalized them.

The Gondwana Art Project elevates and upskills tribal and folk artisans in India who practice traditional Indian art forms.

I soon discovered that this gentle, wary, vulnerable man of 75 possessed a will of steel.

Kelly’s collaged postcards provide an awareness of both his sense of humor and his sense of place.

Collectively, the artworks in the 2021 Socrates Annual circumscribe sanctuary as a transitory, idiosyncratic state that provides emotional or physical respite.

In letters, O’Keeffe refers to her photos as “sketches,” a quick and precise way to get her ideas down.

For Open on K, Hemphill in Washington D.C. asked artists to bring their biggest ideas.

Each piece is a record of the artist’s position, movements, and sensations during artmaking, from aches and temperature shifts to the rise and fall of his chest with each passing breath.

“At the root of these works is the issue of poetics — painterly and textual for Jablon, dynamic, multicolor geometry for Odita.”