Arts

The aggressive kineticism of Futurism in Chase-Riboud’s sculpture is tempered by a keen appreciation of the erotic and lyrical.

Along Phoenix’s Roosevelt Row, development has pushed out several art spaces during the last decade, resulting in a “manufactured” arts district.

Archive as Memorial gathers oral histories, artifacts, art installations, and other documents of AAPI experiences during the pandemic.

This week, new chatbots will write your essays, psychedelics and climate activism, architectural media’s obsession with “house porn,” and much more.

Lucha Libre: Beyond the Arenas shows that the performative wrestling genre is about more than the wrestlers or their costumes.

Odili Donald Odita challenges the long-held belief that abstract art is a purely Western tradition.

A group show of women artists at The Contemporary Austin addresses the weight and urgency of the current political moment.

A string of recent mural removals raises important questions about how public artworks are protected and what recourse, if any, exists for artists in the event of their destruction.

The long-gone art gallery afforded Black artists a space to create without having to consider the pressures of the commercial art market or the fickle nature of nonprofit art institutions.

A look at the myriad ways Filipino American artists are connecting, creating artistic platforms, and engaging with their history and identity.

Covered in wood paneling and filled with wacky Surrealist art, the former home of Sonja Alaimo captures the late painter’s sensitivities.

No one would call an artist from India “British” or an artist from Peru “Spanish,” so why do museums continue to label Ukrainian artists as “Russian”?

Shows not to be missed during the Bay Area’s mid-January flurry of art activity.

Concurrent shows at the Delaware Art Museum highlight overlooked aspects of Pre-Raphaelite art and tread beyond typical gender hierarchies.

Internment camp survivors and their descendants are invited to stamp Ireichō, a book that represents the first definitive count of those incarcerated.

Born in Mexico and raised in Denver, the artist has never been able to visit his family on the other side of the border.

Merryn Omotayo Alaka and Sam Frésquez’s artistic collaborations center experiences of gender, queerness, and race.

Two solo shows in Chicago are must-sees for anyone who cares about feminism and how it intersects with modernist architecture, urban planning, and design.

Leiko Ikemura is concerned with the meeting place of the spiritual and physical, the ineffable and material worlds.

The sculptural tribute was installed in a Boston park, the city where the couple first met.