Arts

Moving too fast on your commute, looking out of the corner of your eye one second too late, and you might miss HOTTEA’s yarn installations.

Peruvian history is a contentious subject, and the authorities in charge of writing its first drafts should not be taken at their word.

A little detail in an artwork can reveal that sometimes what is right on the surface can change our understanding of the whole.

Oh Shit! retraces the historical arc of feces from ancient Rome to the sewage challenges and potential innovations of the 21st century.

How two beloved institutions showcase and support artists working outside of the mainstream art world.

As art history buffs on the app have pointed out, both movements attribute meaning to the meaningless.

This week, blonde hair supremacy, Salman Rushdie’s new novel, and why do boutique shops all look the same?

The artist’s works resonate in West Texas, where the story of dehumanized and exploited migrant laborers is tangible and ever-present.

A posthumous show of Price’s work is curated by James Hart of Phil Space, the self-proclaimed “gallerist of death.”

She has raised generations of Bay Area artists and changed the local landscape with her public artworks, colleagues tell Hyperallergic.

The artist’s droll paintings present the pie chart as a useful monitor of a group’s behavior, while also revealing it to be exclusionary and superficial.

Gender play, kink, and futures that touch traditional lifeways are enduring features of Virgil Ortiz’s work.

The artist’s three-part commission at Madison Square Park includes a mythical female figure atop the Manhattan Appellate Courthouse.

Wakaji Matsumoto’s photographs provide a glimpse of a world in the midst of transition into the next stage of global capitalism and Westernization.

But is it, really?

The artist wedges a sharp critique, and in many ways, erodes the foundations on which borders are built.

Each artist has one to three examples, in such a broad range of styles that if you can’t find something of interest here, that’s probably on you.

Hear Me Now: The Black Potters of Old Edgefield, South Carolina brings awareness of both Edgefield’s awesome artistry and poet-potter David Drake’s odds-defying life to a sizable audience.

Nathalie Djurberg and Hans Berg’s exhibition A Pancake Moon made me reflect on my experience of freezing my eggs.

Down Иorth: North Atlantic Triennial and CHART suggest a model of regional exhibition-making that refutes the essentialism common in contemporary art.