Arts

Enzo Lefort’s stylized portraits of his teammates are now on view alongside works by other Olympian artists in Paris.

This week: The Bushwick aesthetic goes global, common misconceptions about the Palestinian keffiyeh, Edna Mode is brat, and who can really walk on water?

“When working outside, en plein air, I wake up with a mission.”

The artist’s continued retrofitting of ideas has led to a body of work that feels sustained, powerful, and continually defiant of categorization.

The Real Thing at the Met Museum shows that the advertising tactics of commercial studios were in dialogue with avant-garde art in the 1920 and ’30s.

Buoyed by the beautiful weather, a constant stream of visitors showed up eager to learn about a cultural scene that continues to grow.

The meme has quickly gone from ironic to iconic, and the Harris campaign is riding that wave like its life depends on it.

Scholder, who called himself a “non-Indian Indian,” refused to conform to expectations and rejected limiting definitions of his identity as Native American.

The John Rowland Mansion is now open to the public with site-specific contemporary artworks centering access and found materials.

An exhibition explores touch, from the possessive love of a mother holding her child to the violent and coercive contact that sometimes takes place between strangers.

The triennial maps what it means to be an artist from here, from somewhere else but now living here, or from here but living somewhere else.

An algorithm organizes a unique ordering of scenes for each screening, meaning there are millions of versions of the film.

“Having more light and space immediately allowed me to make larger work, which I didn’t even know I had in me.”

This week, Abercrombie’s comeback, Marvel Cinematic Universe’s downfall, Moby Dick emojis, “survivor” trinkets at the Titanic Museum’s gift shop, and more.

An exhibition at the National Gallery of Art makes the case that textiles are an integral part of modernist art history.

In Picturing the Border, intimate works by 12 photographers urgently visualize the nuances and coexistent contradictions of US-Mexico border identities.

Knowledge, visual perception, and the disruption of both by new technologies are at the heart of artist’s multimedia paintings.

More than 145 arts venues will open their doors with exhibitions, open studios, free programs, and more, from a mermaid parade to a hot dog garden party.

From a Christmas-themed show to a window exhibition at Chinatown’s oldest running shop, this hot month is full of surprises.

Suturing the Border shows how an international group of artists built relationships along this nebulous zone dividing Mexico and the United States.