Arts

In the work of Rubens, painter Anthony Daley finds correspondences of color that can carry expressive meanings abstractly.

This week, feline cinematography, two writers on Salman Rushdie, your guide to Valentine’s Day cards, and what happened to the documentary industry?

A new exhibition at Manhattan’s Center for Italian Modern Art looks at the cross-pollination between avant-garde art and commercial posters in post-WWII Italy.

What distinguishes Ledgerwood’s work from the earlier generation of women artists working in the domain of Pattern and Decoration is its bluntness and humor.

A small but impactful exhibition at the Utah Museum of Contemporary Art complicates questions of identity and the canon.

The semi-durational installation The Mountains Wore Down to the Valleys poetically frames the challenges of the pandemic, and more.

LA-based artists Julie Weitz and Jill Spector are reimagining the traditional Jewish garment to include a wide spectrum of identities.

The 1969 exhibition 5 + 1, and now Revisiting 5 + 1, are reminders that the history of Black Art in the United States is diverse rather than monolithic.

The artist’s solo US museum debut at the Baltimore Museum of Art is a contemptuous, at times satirical, take on oppression that gives way to a new history.

Who tells a tale adds a tail: Latin America and contemporary art explores contemporary Latin American art without conforming to external expectations.

Simulation Sketchbook takes as its starting point the reality that digital artists, like all artists, sketch out their work as well.

How does a selective competition fit with the contemporary art world’s aspirations toward greater inclusivity?

“Dignity of Earth and Sky,” unveiled in 2016, raises questions about who should depict Native people and how they should be portrayed.

In this online exhibition, Indigenous artists reclaim realities long denied them by US and Canadian federal governments — including moments of collective reverie.

With two exhibitions at SoFi Stadium, the Kinsey African American Art & History Collection seeks to engage a different art audience.

The works that best exemplify a uniquely German grotesque in Reexamining the Grotesque are those that reflect the war and Weimar years.

Nickson’s interests lie in the individual’s place in a world shaped by immensities of land and water, sky and cloud.

Miguel Calderón examines class, violence, and corruption in Mexican society with macabre, irreverent humor.

The works spanned a variety of media, showcasing the diversity of artmaking and image production that supplements a revolution.

For this year’s edition of the San Francisco festival, 16 Latina and Chinese women designed and hand-sewed flags that tell their story.