Arts

Printed Matter’s Art Book Fair, Suchitra Mattai’s textiles, an exhibition of artworks found in storage, and much more.

The elusive connection between what we can and cannot express summarizes Donovan’s unique trajectory in contemporary art.

Thomas J Price’s bronze statues of Black individuals look like people we might know or see out in public, rather than generals and political leaders.

The group exhibition AntiVenom honors the potential of art and activism to transform harmful realities.

AI images depict what the children born in captivity to victims of the dictatorship might look like today, but some have concerns about the tool’s limitations.

The charred walls of the Azizia library, torched during an extremist riot along with its 4,500 books, are a reminder of the violence of the Hindu nationalist mob.

The characters populating the artist’s paintings subvert the gender binary by combining masculine dandy finery with high femme elements.

A show at the Barbican Art Gallery reveals the importance of considering the politics of display when it comes to an artist who consistently implores us to do so

An exhibition at the Alice Austen House in Staten Island showcases Jean Weisinger’s formidable body of portraiture — and finally tells the photographer’s story.

Welcome to the 213th installment of A View From the Easel, a series in which artists reflect on their workspace. This week, artists store supplies in the nooks of a hotel room, explore new mediums during a summer residency, cleverly rig an attic workspace, and bid farewell to their first studio. Want to take part? Check out our submission guidelines and […]

Online curatorial projects by Dakota Noot, Dr. Kelli Morgan, Sadaf Padder, Beya Othmani, and Angelina Lippert explore new currents in curational research.

The city’s complex history of capital and violence is what makes the intersection of art and magic so potent, opening doors for healing and reparations.

This week, Brooklyn’s perpetual stew, the harms of “professionalism,” antique pencil sharpeners, Bratz respond to Barbenheimer, and much more.

The Guggenheim Bilbao’s retrospective of the rebellious 20th-century Viennese artist features over 120 works, but leaves us wanting more.

Tyler was put on death row at age 17 after a trial that was later deemed “unconstitutional” and “unfair.”

In her latest exhibition, what struck me immediately about Guérin’s work was that it neither looked like anyone else’s nor immediately disclosed its meaning. 

Artist Jose Bonell traverses and reinterprets the world of folk and fairy tales, challenging the myth of the one and only “soulmate” who comes to the rescue.

Even Big Bird roasted Elon Musk’s unimaginative and ridiculous rebranding.

Appel’s vertical and horizontal formats suggest a narrative that can be read, but what is within their borders resists understanding.

I imagine artist Linda Arreola wandering in her mind during lockdowns, just like me, asking how such a brutal world could continue.