Arts

Much of Kjartansson’s work combines dry humor with a sobering examination of power and violence.

The City of Brotherly Love has a lot to offer this summer with shows by Terence Nance, Heather Ujiie, Henry Taylor, and much more.

This week, the origins of art materials, challenging college legacy admissions, the problem with Goodreads, and Agnes Martin in the age of Google Sheets.

Diana Weymar collaborated with the Economic Hardship Reporting Project to center the work of writers tackling economic and racial justice — using embroidery.

The Oi! Spotlight artists accept that ecology has deteriorated, but rather than ask viewers to reverse human action, they depict ways of adapting in the future.

In Opa-locka, Florida, an exhibition of Withers’s civil rights images demonstrates that the Black history the state is trying to erase is indisputable and factual.

Throughout history, conservatives have consistently targeted artists creating works outside of their agenda.

With The Sassoons, the Manhattan museum missed an opportunity to look more critically at the family’s opium trade, and to delve into the lives of its women.

A deluge of memes and TikToks poked fun at an influencer trip offered by Shein, which has faced multiple labor practice allegations.

This week, the Supreme Court strikes down affirmative action, Barbiecore interior design, and how the CIA shaped what we consider “great” literature.

Sleeping Beauties at New York Life Gallery immerses viewers in a collection of paintings that bring mostly overlooked artists back to life.

The desert is not for the faint of heart, but my residency at Joshua Tree helped me get back in touch with what I want from my art practice.

“Without my gender and racial identity or my ‘total being,’ my work does not exist,” says the multidisciplinary artist and trans woman.

This week, a special Pride Month edition of studios in Michigan, New York City, San Francisco, and “anywhere.”

The internet is at its best and its worst after it was announced that a film about the making of the atomic bomb would debut on the same day as Barbie.

What is most satisfying about McNamee-Tweed’s work is that he has not lost his sense of wonderment.

The trans nonbinary Indigenous artist uses text-based printmaking to challenge the ways in which institutions extract from marginalized artists and their labor.

Through rap music, performances, textile work, and curated assemblages and installations, the artist dissolves identity-based dichotomies.

The exhibition No Justice Without Love poses questions about the roots and limitations of our civic imagination.

Artists have long been drawn to California’s sun-cloaked landscapes. But now, this idyllic light might be fading against the backdrop of social inequalities and rising air pollution.