Arts

This week, gifted DeSantis a “fascist” snowflake, NASA’s Webb telescope captures a supernova, corporatizing London’s creativity, and much more.

This week, studios in New York, California, Indiana, and Massachusetts.

The beauty of the natural world coupled with the tragedy of racial oppression led to Foad Satterfield’s painting series inspired by Albert Woodfox’s incarceration.

In the wake of COVID-19’s house-bound isolation, art materials and motifs derived from the home seem charged with new meaning and a searching sense of reinvention.

A new exhibition at New York’s Poster House explores the civil rights militant group’s ingenious branding strategies.

Four exhibitions planned prior to the devastating earthquakes grapple with presciently timely themes of loss, healing and transformation.

As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Angelina Lippert presents an exhibition to offer insight into her curatorial process.

Oren Goldenberg’s latest project involves creating affordable housing for artists in a former recycling center.

A new exhibition at London’s Courtauld Gallery pits Doig against artists like Cézanne, Gauguin, and Van Gogh. Does it work?

Outriders: Legacy of the Black Cowboy strives to correct the mainstream Western narrative of life on the range.

The doomster title of Extinction Beckons at London’s Hayward Gallery had really got me going. Then, almost immediately, things started to go wrong.

He‘e Nalu: The Art and Legacy of Hawaiian Surfing centers the culture of Kānaka Maoli, the Indigenous people of Hawaii.

As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Dr. Kelli Morgan presents an exhibition to offer insight into her curatorial process.

Forti started as a painter so it’s only natural that she would transform other artists and cultural workers into dancers.

Dismantling Monoliths at SF Camera pits artists against the Western canon of photography.

In their exhibition at the Hollyhock House, Louise Bonnet and Adam Silverman engage with the building’s peculiarities — and its origin story.

In Ito’s art we glimpse something we cannot comprehend. A sense of longing and mystery, isolation and solitude fill the paintings.

Glass artist Jeremy Grant-Levine channels Jewish folk tradition through “Rabbi Bongs” and weed-smoking pipes.

What different forms of knowledge are produced when Black, Indigenous, Asian, and Latinx histories are prioritized in a visual presentation of American portraiture?

Attending the artist CHOKRA’s performance introduced me to oud’s original purpose as a sacred healing tool that helps one recover from illness, mentally and physically.