Arts

A Copenhagen exhibition offers a rich view into the creative production and daily life in the Weimar Republic, with its glamour and its grotesquerie.

Chinatown Art Brigade’s largest show to date examines the history of anti-displacement organizing.

Yes, you’ll have to cross the 405 after 3 pm, but we promise it’ll be worth it.

The identity of the painter known as the Master of the Countess of Warwick has long been a mystery. A new exhibition hazards a guess.

A survey at the MCA Chicago uses the metaphor of weather and wields movement as a critical, mercurial strategy

Tune into our series of online events next month with Hyperallergic Fellows Dakota Noot, Beya Othmani, Kelli Morgan, Angelina Lippert, and Sadaf Padder.

A deep sense of loss, of being cut off or isolated from communication, runs through Elsa Gramcko’s works, imbuing them with inchoate feelings that precede language.

Carried Impressions: Lithographs and Monoprints from the 1960s doesn’t demand the spotlight, but it’s ripe for exploration.

Five Southern California Views taps into the mythology of the West as an expanse for the imagination, only to decenter the human presence.

After decades of inaction, the Colombian government is demanding the repatriation of the ancient sculptures, currently held at a Berlin museum.

Alternative curatorial projects are taking creative risks and shaping Mexico City’s art fair ecosystem on their own terms.

While acknowledging the horrors of colonialism, Spain and the Hispanic World also highlights the exchange of traditions and ideas.

A new exhibition reveals how Jewish people throughout history have embraced marijuana both spiritually and politically.

In Vermeer’s paintings, the world is much larger than we imagined and yet somehow deep, meaningful, and magical.

Joan Brown resented the easy commodification of her work, and the incessant demand for her to create something just so others could own it.

In the work of Rubens, painter Anthony Daley finds correspondences of color that can carry expressive meanings abstractly.

This week, feline cinematography, two writers on Salman Rushdie, your guide to Valentine’s Day cards, and what happened to the documentary industry?

A new exhibition at Manhattan’s Center for Italian Modern Art looks at the cross-pollination between avant-garde art and commercial posters in post-WWII Italy.

What distinguishes Ledgerwood’s work from the earlier generation of women artists working in the domain of Pattern and Decoration is its bluntness and humor.

A small but impactful exhibition at the Utah Museum of Contemporary Art complicates questions of identity and the canon.