Arts

Academics and literary nonprofits condemned the Hamline University professor’s dismissal as a violation of academic freedom.

Close Enough: New Perspectives from 12 Women Photographers at Magnum unfolds the complex gender dynamics that women experience behind the camera.

When it comes to capitalism, to quote the great Cardi B out of context, “It’s gon’ hurt me to hate you, but lovin’ you’s worse.”

Bill Viola’s installation at a Naples church misses the spiritual mark.

In the artist’s exhibition Endless Journey, each tiny, delicate mark reads as a meditative act, imbued with rigorous attention, care, and focus.

Your list of must-see, fun, insightful, and very Los Angeles art events this month, including Victor Estrada, Simone Forti, Koichi Enomoto, and more.

Your list of must-see, fun, insightful, and very New York art events this month, including Kwame Brathwaite, Sara Flores, Morris Hirshfield, Gwen Smith, and more.

Frances Benjamin Johnston’s photojournalism, Jamini Roy’s stylized portraiture, and M. C. Escher’s print works have also become accessible to all.  

From an early inhabitable sculpture to an imaginary “Monument to the Taco,” Escobedo’s work moves and delights at Monterrey’s Museum of Contemporary Art.

Limiting the biennial to the first floor of the National Gallery was a lost opportunity to position artworks in response to the country’s social vibrations.

It’s the end of the year, so that means it’s time for our annual list that highlights those who are often rendered powerless in a system ruled by the oversized influence of the super-rich and their courtiers.

Fuseli and the Modern Woman is immensely pleasurable for the technical facility of an artist pursuing his own personal interests in an incredibly idiosyncratic style.

Collaboration in Marcelle’s work pursues ambiguity and disorder in order to destabilize hierarchies of race and class.

This year, we’re going big with a list of memorable shows from around the world, seen and loved by our editors and contributors.

Christy Chan’s Who’s Coming to Save You? makes clear the perpetual nature of American bigotry.

Dahlia Elsayed and Andrew Haik Demirjian imagine “Mustaqbaaaahpolis” as a city free from “extraction, time scarcity, and exploitation.”

An exhibition at Blanton Museum of Art encapsulates the complicated ways in which Indigenous and European traditions cross-pollinated through textiles and accessories.

Pittsburgh’s John Kane: Life & Art of an American Workman presents Kane’s experience as a manual laborer as integral to — not separate from — his art.

Welcome to the 206th installment of A View From the Easel, a series in which artists reflect on their workspace. In this edition, artists pour paint across folded sheets of paper, regard their studio as an “office,” meticulously craft mosaics, and make small spaces feel limitless. Want to take part? Check out our submission guidelines and share a bit about your studio […]

Pattern and Flow: A Golden Age of American Decorated Paper, 1960s to 2000s is a feast for the eyes.