Arts

Fifty works, all created by women, are brought together across time and media as the Norton Museum of Art reckons with the art world’s patriarchal past and present.

In the Blactiquing Space, curator and collector Kevin Jones presents deeply fraught objects with emotion, connection, and care.

Jackson’s exhibition The Land Claim began an extensive dialogue with local Indigenous, Black, and Latinx families on Long Island’s East End.

There is not a hint of psychological trauma in Astrup’s art, despite the parallels in his own experience to that of his countryman Edvard Munch.

Inspired by her foremothers’ recycling of materials, Jan Wade creates altarpieces, shrines, and memory jugs out of found objects.

This retrospective of the work from a São Paulo photo club is a reminder that Modernism was not solely a European phenomenon.

The artist uses her technical and artistic gifts to render a clear vision of women who defy stereotypes.

Christine Borland looks at one of the oldest known forms of fabric in the world.

The permanent installation in Williamsburg features anthropomorphic moons and suns, watching over wild, celebratory scenes.

The mind works desperately to fill the gaps in these lost stories.

Decades of entrenched art-world racism, gender bias, and resistance to overtly political displays in art have delayed a comprehensive treatment of Baca’s career until now.

The Wara Art Festival was founded as a solution to the Niigata farming community’s excess of unused rice straw.

From bread sculptures to fabric galore, the pent up energy of the pandemic was overflowing at this grassroots art fair that continues to wow.

At Future Art Fair, collaborative presentations by 34 galleries challenge the traditional fair model.

Art fairs always seem to privilege and fete consumptive behavior. But they also give me an opportunity to reconnect, to revisit, to be see an artist’s work and share the brilliance of my community.

Adams finds beauty in the earth and nature through layers of complication, chaos, and everyday labor.

Mexican photographer Alejandro Prieto’s image of a roadrunner at the US-Mexico border took home the top prize.

This group show proposes fresh paradigms of land ownership and art making in contrast to the rugged individualism of much early Land Art.

Like a creeping scent, Sean Raspet’s exhibition works its way through the viewer’s psyche almost imperceptibly.

A carefully curated exhibition at ICA London lays bare the insidious nature of the subjugation of Black people in Britain.