Arts

Carlos Bunga’s architectural installation in the Reina Sofía’s Crystal Palace creates the facade of stability and strength yet is actually ephemeral and even fragile.

From borderlands and elevations to ecology and isolation, curator Aurora Tang brings together artists who work deeply in their regional geographies.

The exhibition Shall Make, Shall Be at Manhattan’s Federal Hall wants to educate us critically about the Bill of Rights amendments, but nearly half of the displays are dysfunctional.

The site-specific, high-tech, experiential festival is coming back to the streets of Taos.

This week, an architect designs his own home, unraveling the white supremacy of archives, pigeons in New York City, being “Asian” in the United States, apologizing to Sacheen Littlefeather, and more.

The Ent Center for the Arts’s program Art WithOut Limits pops up in unexpected spaces.

Swiss-Haitian-Finnish artist Sasha Huber has spent the last fifteen years trying to undo her countryman’s problematic legacy.

In 1911 Matisse created “The Red Studio,” a self-enclosed world in his studio, by showing 11 earlier works of art, without the presence of the artist.

Traitor, Survivor, Icon: The Legacy of Malinche prompts new conversations about one Indigenous woman’s turbulent story.

Whether in a 17th-century mansion, an imagined Georgian bedroom, or a contemporary loft, the unconscious experience remains unadulterated.

The archive illustrates the state’s unique social, political, cultural, and artistic DNA while highlighting underheard voices, stories, and perspectives.

With The Black Image Center, a group of young photographers has established a space for Black image makers in need of a place to create.

The artist serves as a proxy through which the complexities of Gulf War politics, refugeeism, dictatorship, and resilience can be examined in intuitive and material ways.

The exhibition Porno Chic to Sex Positivity at the Museum of Sex traces how once-verboten depictions of sex became gradually acceptable in pop culture.

Work on the colossal land art project in the remote Nevada desert began in 1970.

Part of the fun of flipping through Bowman’s book of exquisite corpse artworks is trying to guess who is responsible for each drawing.

Reed’s terse song-stories rely on humorous and torqued and poignant metaphors, and serve up pop cliches in order to turn them inside out and reveal hidden truths.

Steven Yazzie’s project “Gold King & Associates” addresses environmental concerns around urbanization, land use, over-development, and colonization.

The exhibition Reframed: The Woman in the Window explores the acts of looking and being looked at, framing, and art making.

This week, award-winning nature photography, reviewing Jared Kushner’s new book, Smithsonian NMAAHC hires a new digital curator, Damien Hirst plans to burn paintings, and more.