Arts

I am not alone when I say that I had never heard of Barton before his exhibition opened at the Morgan Library & Museum.

An online platform creates a community around southern Nevada’s transitory creative life, but there’s a problem with its name.

From sites to studios to systems, the nature of earthworks has changed since the 1960s and ’70s.

From a pile of scraps and everyday detritus accumulated over the last 30 years, Lydia Ricci makes imperfectly perfect replicas of quotidian moments and objects

Anderson insists that she doesn’t consider herself a political artist, but her retrospective, The Weather reveals that her artistic choices are entangled with her politics.

In the online exhibition Before Silence, nine contemporary Afghan artists ruminate on their plight as refugees with targets on their backs.

Yiddishland Pavilion artists Yevgeniy Fiks, Avia Moore, and others effectively question the borders that continue to define the art world.

The sci-fi thriller’s meticulous attention to detail offers a world not soon forgotten with carefully chosen subliminal references lurking in the murky waters of our subconscious.

The late New Yorker art critic admonished the stringent “aesthetes” of his time for their blatant dismissal of the social and political contexts in which art emerges.

Yiddishland is a porous and generative project that threads itself through various pavilions, subtly undermining the national logic of the biennale.

Avi Kwa Ame (Spirit Mountain) is sacred to the Yuman-speaking people of the Mojave Desert.

This week, Kate Bush makes a comeback, Boris Johnson goes home, stop saying “OK Boomer,” and more.

Chroma: Ancient Sculpture in Color reminds us, once again, that our view of the ancient world is whitewashed.

Whether through expansion or confusion, Pope.L plays with the instability of time and shows how tapping into this instability can unlock creative shifts in thinking.

Minimalism sought to empty out narrative pictorial content. Scully’s goal has been to put it back.

Surveying decades of his writing and criticism, Occasional Views contributes to a greater understanding of Delany’s unimpeachable stature.

In Nadav Assor and Tirtza Even’s film Chronicle of a Fall, on immigrant cultural workers in the US, there is no singular, stable view of anything.

The artist realized what he previously called an “impossible proposal,” building a ship around a public statue of Queen Victoria, where she’s joined by five smaller replicas of herself.

This week, journalists are too pleased with themselves, Dolphins visit New York, Bill Gates hates NFTs, and more.

Gary Petersen recognizes that whatever dream of unity geometric artists once pursued is no longer possible.