Arts

In her solo exhibition, the artist creates an installation that is many things but unified is not one of them.

In his Afro-Expressionist paintings and installations, Adjani Okpu-Egbe ruminates on native resistance in Cameroon and the colonial propaganda promoted in mainstream media.

The heirs of two Jewish collectors, one who sold the work to fund his escape from Germany, and another who had the artwork stolen by the Nazis, will receive financial restitution from the Christie’s sale.

Curated by Monika Fabijanska, Betsy Damon — Passages: Rites and Rituals pulls Damon’s performance practice out from oblivion.

Jennifer Ling Datchuk’s exhibition is filled with the haunting, rhythmic sounds of gently clattering porcelain.

Tree of Knowledge, a suite of eight paintings by the beloved artist and spiritualist, is up at David Zwirner Gallery.

The Museum of Modern Art’s retrospective exhibition Liquid Reality showcases how Kubota turned video art into sculpture.

Does the Academy Museum exhibition successfully plumb the depths of Miyazaki’s psyche?

“Our guiding principle is to make things that don’t get old and thrown away,” says Sudō Reiko.

Grimanesa Amoros’s Golden Array invites onlookers to reflect on connections through “the invisible trajectories of a wireless universe.”

Cryptoart is being generated by artists looking for something that the conventional art world can’t, or won’t, offer them.

The works in Love Lies Bleeding were “made in the process of loss, heartache, and recovery,” but nowhere is there a dour note.

Her witchery is mischievous, aiming to trick the beholder into a quite fragile enchantment.

Mode Brut at the Museum of Craft and Design wants to change people’s perceptions of what fashion can be.

From Njideka Akunyili Crosby to Elizabeth Catlett, Before Yesterday We Could Fly: An Afrofuturist Period Room integrates works by Black creators from the past to the present.

This week, Bored Yacht Club’s NFT millions, fry bread, new space race capitalism, the legacy of Nazi art, and more.

The artist, who had macular degeneration, closely scrutinized his subjects, even as he fictionalized them.

The Gondwana Art Project elevates and upskills tribal and folk artisans in India who practice traditional Indian art forms.

I soon discovered that this gentle, wary, vulnerable man of 75 possessed a will of steel.

Kelly’s collaged postcards provide an awareness of both his sense of humor and his sense of place.