The Artists Amplifying the Voices of Iran’s Protesters
As protests rage across the country following the death of Mahsa (Zhina) Amini, Iranian and Kurdish artists are creating work in support of freedom.
Mindfully Curated
As protests rage across the country following the death of Mahsa (Zhina) Amini, Iranian and Kurdish artists are creating work in support of freedom.
In the shadow of a planned $150 million cultural center designed by Frank Gehry, a number of grassroots arts organizations are thriving in the predominantly Latino region.
From exhibition catalogue pages marketed as original prints to brazenly fake “authorized” copies of Harings and Warhols, we’re living in a golden age of art piracy.
Ultimately the legacy of the classic modernist novel may reside in how attentively and scrupulously it concentrates on the music of tentative, shambolic, open-ended urban lives.
More than 100 modest and intimately scaled artworks in Still Life and the Poetry of Place provide glimpses into interiors, both humble and opulent.
Whatever else Mire Lee’s Carriers is about, it seems to me that has to do with sending you back into yourself, which is not necessarily a soothing place.
It’s been 55 years since Warhol hired a lookalike to prank students at the University of Utah. What lessons on celebrity and capitalist consumption did his hoax reveal?
From ancient times to the present day, join us as we pay tribute to these otter-ly charismatic creatures in various visual media.
Columbia University exhibition thwarts the de-politicization of postwar abstract art with a series of provocative questions.
This week, a Keith Haring drawing from his bedroom, reflecting on Theresa Hak Kyung Cha, you’re not descended from Vikings, the death of cursive, and more
Eros Rising at New York’s Institute for Studies on Latin American Art demonstrates that eroticism might be closer to the cosmic than to the terrestrial in its infinite manifestations.
I was curious to see Casteel’s first exhibition since her New Museum show. I was not disappointed.
Stephanie Syjuco’s exhibition Double Vision points to the role that museums play in perpetuating narratives about the people, places, and events of the American West.
Characterizations of the artist’s newest work, and that of other White land artists of his generation, sometimes ignore questions of place and locality that are central to Indigenous thinking.
Jacqueline von Edelberg is “gently curating” an interactive memorial to the victims of the Highland Park mass shooting in Illinois.
Finding her subject matter in ordinary, everyday encounters, Levinthal hints at a subject’s interiority and to the way strangers are separated from each other.
With the numerous self-portraits Monks has painted throughout her career she offers her “self” to the viewers while also generating a sense of dissolution.
Condorelli considers how our modes of seeing and reproducing images and environments might develop, questioning how we see — and how we might see differently.
“Artists can provide visual stories as points of entry into conversations about the health of forests, and the destructive and healing aspects of fire,” says Saskia Jordá.
Critics of the project say artist Dries Depoorter is engaging dangerously with surveillance culture.